Aschenazy, Rachmaninoff, Liszt, and Horowitz are only a few of the widely recognized names for piano music that should be part of everyone’s general culture. For admirers of this instrument, these are examples of perfection, ingenuity, genuineness, and realizing one’s full potential.
Whether it’s classical music, which is constantly in style, or blues, jazz, or gospel music, the piano has millions of admirers. If you have a penchant for such auditions, you probably already know some names that have lingered in your memory, whether you listen to it on a good 5.1 audio system or directly on the best laptop.
However, not every pianist is the same. There are a few names that manage to redefine the art of emphasizing this musical instrument in each generation. Here are some of the most well-known pianists who, if you haven’t already, are worth hearing at least once in your life.
Martha Argerich was born in 1941 and won the Chopin International Piano Competition at the age of 24, establishing herself as one of the best pianists of her period. He began studying the piano when he was three years old, and from the age of five, he was under the instruction of the renowned pianist Vincenzo Saramura.
At the age of 19, he recorded his first album and shared the stage alongside Nelson Freire, Mischa Maisky, and Lilya Zilberstei.
In 2005, he earned the Imperial Award in Japan after winning three Grammy Awards. He is one of the pianists for whom tickets are hard to come by, and he will dazzle you with his powerful style and focused tone that characterizes his concerts.
Vladimir Ashkenazy is a Russian businessman.
Vladimir Ashkenazy was born in Nizhny Novgorod in 1937 and began learning the piano at the age of six. At the age of eight, he was accepted into the Central School of Music, which is linked with the Moscow Conservatory, due to his talent. He received his musical training from Lev Oborin and Boris Zemliansky, two well-known piano teachers.
He won over ten international accolades between 1955 and 2000, including five Grammy Awards. He is a pianist, chamber music performer, and conductor who has recorded a wide range of classical works, including Rachmaninoff’s and Chopin’s complete works for solo piano, as well as Beethoven’s and Scriabin’s complete sonnets. He’s worked with notable soloists including Itzhak Perlman and Lynn Harel.
Vladimir Horowitz is one of the most famous pianists of all time, and he is competing for the title of best pianist of all time. He was born in Ukraine in 1903, and he was known for the brilliance of his acting technique and the emotion he put into his plays. His romantic piano repertoire, which he explored with exceptional care and virtuosity, is what he is best known for.
Despite almost a century and hundreds of recordings by other pianists, many historians consider Horowitz’s recording of Liszt’s sonata in 1921 is the best rendition of the piece.
Study in D minor by Scriabin, Ballad no. 1 in G minor by Chopin, and Polka by Rachmaninoff are among the works that are indicative of his style and with which the pianist’s name is most generally linked.
Franz Liszt was a Hungarian composer.
Franz Liszt was a Romantic-era composer, conductor, arranger, and noteworthy organist who rose to prominence in Europe in the early nineteenth century due to his abilities as a superb pianist. His numerous compositions, which were indicative of the New German School, made an indelible impression on the classical music of the day.
The symphonic poem, the development of theme transformations, and radical harmonies are among the innovative components of musical structure and technique that have been left behind.
In the remaining texts from that time period, he is described as a pianist who is known for his precision and strength of performance, as well as his ability to maintain a flawless tempo. His repertoire mostly consisted of Viennese school compositions, such as Hummel’s concerts and pieces by his instructor Czerny.
John Ogdon was born in Mansfield Woodhouse, Nottinghamshire, in 1937 and studied music at the Royal Northern College of Music, where he earned first prizes in the 1961 London Liszt Competition and the 1962 Tchaikovsky International Competition.
He is noted for his unique ability to perform songs at first sight and for his exceptional recall, which allowed him to remember many of the scores in his repertoire completely and in detail. Ludwig van Beethoven, Johannes Brahms, Percy Grainger, Franz Liszt, Tilo Medek, Franz Schubert, and Igor Stravinsky are among the composers who have been confronted in front of a concert piano.
Pires, Maria Joao
Maria Joao Pires, a prominent Portuguese pianist, was born in Lisbon in 1944 and is noted for her fresh and sanitary approach to Schubert, Chopin, and Mozart compositions. He had his first performance when he was five years old, and by the age of eight, he was already performing songs from Mozart’s concerts in front of an audience.
He began his studies in the Lisbon Conservatory and finished them at the Munich Academy of Music, where he studied with Rosl Schmidt, and in Hanover, where he studied with Karl Engel.
He took first place in the Beethoven Bicentennial Competition in Brussels in 1970. He performed with renowned orchestras from Japan, Israel, the United States, Canada, and Europe, drawing inspiration from the works of great classical composers (Bach, Beethoven, Brahms, Chopin, Mozart, Schumman, Schubert).
Rachamninov, a Russian composer, pianist, and conductor, is a key figure in the late Romantic period. He was born into a musical family and began piano lessons when he was four years old, eventually graduating from the Moscow Conservatory.
He wrote four works for piano and orchestra, as well as several pieces for orchestra only. Morceaux de fantaisie, Variations on a Chopin Theme, Études-Tableaux, Op. 33 and 39 are among the solo piano works.
Along with Josef Hofmann, Moriz Rosenthal, Ignaz Friedman, and Josef Lhevinne, Rachmaninov is considered one of the best pianists of his generation. Rhythm, precision, his unique approach to staccato, and his unique ability to keep the piece’s clarity, especially in the case of complex scores, are all hallmarks of his interpretations.
He was able to maneuver more readily through complicated chord configurations since he possessed large hands.