The accordion, with its centrally situated bellows as a heart, allows you to perform a wide range of musical works from a wide range of fields, as well as being a soulful instrument frequently seen in popular music from several nations. In this post, we’ll provide you a few pointers to help you perform better.
If you are passionate about this instrument and want to improve your performance, read this article to learn some minor tips that will make your learning process much easier.
During the performance, he learns to alter the direction of the bellows frequently while maintaining the rhythm, allowing him to change the tone’s sensation. When you turn the bellows while playing a note, you’ll get a doubling effect, as if you’re hitting the string twice. You can experiment with various notes to find the most appropriate style until you master this small technique.
Even if you don’t spin the bellows, you can use accents to vary the perception of the song. This approach is most commonly used at the beginning or finish of a rhythm, and it’s very effective and adds value throughout the song.
It can be performed by waving the left hand in the air without changing the notes played, or by using a vibrato movement with the right hand, which allows the singing of various notes.
It can be on a note in the first case, or on a simple agreement obtained by short, alternate bellows motions and finger retention on the relevant flaps in the second situation. You can also make a triplet tremolo by opening the bellows at the top, closing the bellows at the bottom, opening the bellows at the top, closing the bellows at the bottom, opening the bellows at the top, and so on.
It’s a good way to get more musical rhythms by alternating moments when you squeeze the bellows while pushing firmly on the piano with your right hand with pulls. You’ll receive a solid practise of this technique by alternating speed at different times of emphasis, which can come in handy during the interpretation and when offering a personal note.
It’s an effect that involves using the right hand to play rhythmic beats on the keyboard’s hard side, while using the left hand to play various notes, potentially in legato, to provide a stronger and clearer impression. To see what you can produce, experiment with different beat rhythms and intensities, and keep in mind that the sounds are different when the bellows are closed than when they are open.
Use support straps as necessary.
Many well-known accordionists propose shortening the left side to move the keyboard closer to the centre of the body. You can choose types of straps that feature a strap that connects the two sides (on the left shoulder and on the right) in the rear to feel the accordion more firmly grasped.
When playing a larger, heavier accordion, it’s advisable to sit down and take up some of the weight of the instrument with your feet, which will preserve your shoulders and keep you from getting tired during the concert.
Using them on an accordion creates a very pleasant effect by emphasising a note. You can begin by sliding your finger from the black flap to the white flap above, and as your fingers get more agile, you can go to more challenging combinations including any two notes or even an octave.
It’s done by moving your finger across the ascending or descending keys on the keyboard to create a unique impact during the interpretation.
Many songs have repeated notes, and in order to sing them rapidly, you should learn to use finger combinations. It does not use the piano technique of hitting a note and then releasing it with each finger, but rather allows your fingers to slide one by one from the key’s edge, allowing you to touch the next key before releasing the previous one, allowing you to play at a rapid pace.
Allowing particular tone notes to ring while you attack other notes is a good way to practise. Some of these effects provide you an advantage during interpretation, while others do not; however, with a lot of practise, you will be able to master this effect as well.
By lightly pressing a note and pushing the bellows to their maximum, you can receive varied harmonics, with some reeds emitting an octave or even more. It’s a strange and nice effect that you can use successfully during the show.
You can only use one hand
If you need a free hand (right) throughout the performance to play another wind instrument (music, trumpet, etc.) You can only play with your left hand on the keys, and you can leave the bellows to open due to gravity, with minimal control over the opening if you tilt it a little. You may also regulate the opening of the bellows with the help of the legs on which it rests if you’re sitting in a chair.
Other tiny strategies to help you build your own style of interpretation can be discovered through tests, a lot of practise, and a little imagination. Jimi Hendrix sang with his guitar behind his head, allowing for a variety of outstanding positions to be created during a concert in order to delight the audience with moments of incredible virtuosity, but also uniqueness.
These tiny methods will aid you much in your learning process, and after you have mastered them, they will affect your style and assist you in developing your own manner of interpretation. Whatever accordion you choose (here’s a comparison list), you’ll be able to achieve outstanding results by using the techniques and effects offered by this wonderful and complex instrument.